"Ainsi parlait Zarathoustra est sans conteste le livre le plus déroutant d'un philosophe lui-même inclassable.
Nietzsche prétendait par là donner à l'humanité la "Bible de l'avenir", une Bible profane qui supplanterait toutes les autres. D'où l'étrangeté et l'indéfinissable beauté de cet hymne à la vie pleine et entière. "Peut-être Zarathoustra appartient-il tout entier à la musique : il est en tout cas certain qu'il présupposait une véritable renaissance de l'art d'écouter", écrit Nietzsche dans Ecce Homo de ce "livre pour tous et pour personne". Quoi de plus naturel alors que de faire entendre les meilleurs morceaux de cette musique inouïe ?
Le risque d'une lecture à voix haute était certes de céder à l'exaltation romantique, mais Thierry Frémont a su trouver la juste tonalité lyrique, qui permet d'exprimer l'enthousiasme sans mièvrerie.
Volume 1 : L'ouvrage débute par le déclin de Zarathoustra, qui n'hésite pas à se perdre d'abord pour mieux se retrouver par la suite. Pour devenir peu à peu ce qu'il est, à savoir le prophète de l'éternel retour du semblable, ce porte-parole exotique de la pensée de Nietzsche s'engage ainsi dans un voyage pour l'essentiel intérieur, jalonné de rêves éveillés, dans le but de sortir l'humanité de son "profond sommeil" et lui indiquer la voie de la grandeur, de la victoire sur soi."
Claude Colombini & Yannis Constantinidès
Écrit entre 1881 et 1887, après une période sombre, de bouleversement psychologique et philosophique Nietzsche propose d'affronter, de s'accomoder d'un monde ne soit pas là pour nous faire plaisir, sa pensée n'est plus une sombre méditation mais une exaltation de la vie. Il tente par des aphorismes de dégager des vérités claires sans chercher d'absolu. Ce livre audio est au programme de français-philosophie des CPGE (classes préparatoires aux grandes écoles) scientifiques avec pour thème La force de vivre.
Ecce homo est une autobiographie à la fois parodique et philosophique de Friedrich Nietzsche. C'est aussi le dernier ouvrage original, avant la période de démence de ses dernières années de vie. Ecce Homo, malgré sa brièveté, est l'un des livres les plus importants pour comprendre la pensée nietzschéenne dans son originalité. Au cours de ces quelque cent pages, Nietzsche invente un nouveau type d'écriture, tonitruant et virtuose, qui lui permet de réaliser son programme de « philosophie à coups de marteau ». Nietzsche est ici clair, dense et brillant. Rédigé en 1888, il fut publié à titre posthume en 1908.
Un des ouvrages les plus pédagogiques et les plus fondateurs de Friedrich Nietzsche. Dans un style lumineux l'auteur propose une critique féroce du dogmatisme des philosophes chrétiens et platoniciens. Par la remise en question de ses prédécesseurs, Nietzsche pousse de manière originale à remettre de la créativité dans une pensée trop ancrée dans les croyances, à l'enrichir, à ouvrir une possibilité d'appréhender le monde, plus inventive et plus universelle, en esprit libre .
Please note: This audiobook has been created using AI voice.
Thus Spake Zarathustra was Friedrich Nietzsche's favorite of the books he wrote, and has been his most popular amongst general readers. Yet some scholars dislike it because of its unphilosophical nature: it eschews jargon and the scaffolding of arguments, which engage only the intellect, in favor of an artistic approach that engages the whole mind.
After ten years of solitude in a cave high in the mountains, Zarathustra wishes to share with humanity the wisdom he has accumulated during this time. He reaches the nearest town and addresses the crowd on the marketplace. He tells them of the Overman: the next step in human evolution, a being who creates their own values, freed from the weight of tradition and morality, and who takes responsibility for their own successes and failures. But the crowd doesn't understand him; his discourse is met only with rude ignorance. Zarathustra then decides to gather a small group of disciples and share his wisdom with them.
The bulk of the book is Zarathustra's speeches on topics such as morality, society, individualism, religion, and how suffering and its overcoming are what give meaning to our existence. While already wiser than most, Zarathustra still learns from those he talks to, reevaluating his thoughts as he deals with disappointment (such as when his disciples prove to be mere followers), and confronting his own doubts. His greatest challenge, though, comes when he faces the existential test of the eternal recurrence of the same: the thought that our lives could repeat indefinitely without the minutest of change.
The inspiration for Zarathustra came to Nietzsche during one of the long hikes he often indulged in despite his failing health. It was a decade of solitude: his physical condition had worsened to the point of forcing him to retire from his position at the University of Basel, and each change of season prompted him to relocate to kinder climes in Switzerland, France, or Italy. The book took two years to write. Each of its four parts was written in a tenday period of creative effervescence followed by months of gloom, plagued by terrible, debilitating migraines.
Zarathustra was initially received with indifference at best and frustration at worst. It's a work of philosophy as much as aesthetics: the language is modeled after the Luther Bible and contains numerous references to Homer, Heraclitus, Plato, Goethe, Emerson, and Wagner, to name a few. Later Nietzsche attempted to address the book's lack of popularity by framing the same concepts in a more traditional, approachable manner in his following book, Beyond Good and Evil, but that book also struggled to find an audience.
With his health steadily deteriorating, Nietzsche's mind broke down in 1889 and never recovered. His body would live on for 11 more years, and he ended up in the care of his sister, Elisabeth. A stalwart nationalist and antiSemite, she saw in her brother's illness the opportunity to turn him into a German hero. Despite her brother's firm opposition to nationalism, antiSemitism, and power politics, she perverted his work by promoting it for her own ends. Scores of commentators partook in her lie and enthusiastically used Nietzsche's work to buttress their own contrary views. Doing so requires one to selectively ignore half the content of the book: Zarathustra's discourses regularly touch on a priori dark and violent themes, but they also clearly state that these are to be directed towards oneself. Reaching the Overman requires us to know ourselves, and such introspection, given the darker side of human nature, leads to contempt. This contempt for ourselves, says Nietzsche, should be embraced as the first step towards awareness of what we could be. Cruelty, likewise, stems from that knowledge as a necessity to hammer ourselves into the proper shape. Such commentators also conveniently ignored Zarathustra's many remarks about love: love for ourselves, he says, is what can prevent us from spreading resentment around us during this difficult process of change.
The first English translation of Zarathustra was by Alexander Tille, a German scholar who had emigrated to Scotland. English wasn't his first language and his work suffered from it. Thomas Common, a Scottish scholar, used Tille's work as the base for his own translation. Bringing Zarathustra to the Englishspeaking world was no easy task given Nietzsche's stylistic idiosyncrasies. Just like Nietzsche, Common took risks: because the book is written in the style of the Luther Bible, Common decided to emulate the style of the King James Bible; he also tried to reproduce the musicality of the language and the new words coined by Nietzsche, some of which have been updated over time-e.g. Common's "Superman" is nowadays known as "Overman." While his choices have been controversial, he produced a landmark translation that faithfully tried to convert the unique flavor of Zarathustra into English. Published in 1909, it would take four decades until the next translation by Walter Kaufman in 1954.
But Zarathustra didn't find its scholarly fame limited to Europe: soon after its publication, it reached Asia, where it was received with enthusiasm, particularly in China and Japan where it influenced the famous Kyoto School. Zarathustra has also received special attention from the music world. Nietzsche loved music and poetry, and it was his wish that this book be taken as music. No fewer than 87 pieces have been inspired by the book, in part or as a whole. The best known are Richard Strauss' Also Sprach Zarathustra, the fourth movement of Gustav Mahler's Symphony No. 3, and Frederick Delius' A Mass of Life.
In 1887, with the view of amplifying and completing certain new doctrines which he had merely sketched in Beyond Good and Evil (see especially Aphorism 260), Nietzsche published The Genealogy of Morals. This work is perhaps the least aphoristic, in form, of all Nietzsche's productions. For analytical power, more especially in those parts where Nietzsche examines the ascetic ideal, The Genealogy of Morals is unequalled by any other of his works; and, in the light which it throws upon the attitude of the ecclesiast to the man of resentment and misfortune, it is one of the most valuable contributions to sacerdotal psychology. (summary by the editor of the Samuel translation)
"Mother Earth was an American anarchist journal that described itself as "A Monthly Magazine Devoted to Social Science and Literature". Founded in early 1906 and initially edited by Emma Goldman, an activist in the United States, it published articles by contemporary activists and writers in Europe as well as the US, in addition to essays by historic figures." This is Volume 1 of the series
Volume 3 of the complete works contains several short critical introductory essays, five lectures under the heading "On the Future of our Educational Institutions," and finally an essay by the author entitled "Homer and Classical Philology." As always, Nietzsche believes in the importance of classical thought.
"The essays contained in this volume treat of various subjects. With the exception of perhaps one we must consider all these papers as fragments. Written during the early Seventies, and intended mostly as prefaces, they are extremely interesting, since traces of Nietzsche's later tenets-like Slave and Master morality, the Superman-can be found everywhere. But they are also very valuable on account of the young philosopher's daring and able handling of difficult and abstruse subjects. "Truth and Falsity," and "The Greek Woman" are probably the two essays which will prove most attractive to the average reader."
The Joyful Wisdom, written in 1882, just before "Zarathustra," is rightly judged to be one of Nietzsche's best books. Here the essentially grave and masculine face of the poet-philosopher is seen to light up and suddenly break into a delightful smile. The warmth and kindness that beam from his features will astonish those hasty psychologists who have never divined that behind the destroyer is the creator, and behind the blasphemer the lover of life. In the retrospective valuation of his work which appears in "Ecce Homo" the author himself observes with truth that the fourth book, "Sanctus Januarius," deserves especial attention: "The whole book is a gift from the Saint, and the introductory verses express my gratitude for the most wonderful month of January that I have ever spent." Book fifth "We Fearless Ones," the Appendix "Songs of Prince Free-as-a-Bird," and the Preface, were added to the second edition in 1887.
The essays contained in this volume treat of various subjects. With the exception of perhaps one we must consider all these papers as fragments. Written during the early Seventies, and intended mostly as prefaces, they are extremely interesting, since traces of Nietzsche's later tenets - like Slave and Master morality, the Superman - can be found everywhere. But they are also very valuable on account of the young philosopher's daring and able handling of difficult and abstruse subjects. "Truth and Falsity," and "The Greek Woman" are probably the two essays which will prove most attractive to the average reader. - from the Preface.
Of The Twilight of the Idols, Nietzsche says in Ecce Homo: "If anyone should desire to obtain a rapid sketch of how everything before my time was standing on its head, he should begin reading me in this book. That which is called `Idols' on the title-page is simply the old truth that has been believed in hitherto. In plain English, The Twilight of the Idols means that the old truth is on its last legs." Certain it is that, for a rapid survey of the whole of Nietzsche's doctrine, no book, save perhaps the section entitled "Of Old and New Tables" in Thus Spake Zarathustra, could be of more real value than The Twilight of the Idols. Here Nietzsche is quite at his best. He is ripe for the marvellous feat of the transvaluation of all values. Nowhere is his language - that marvellous weapon which in his hand became at once so supple and so murderous - more forcible and more condensed. Nowhere are his thoughts more profound. But all this does not by any means imply that this book is the easiest of Nietzsche's works. On the contrary, I very much fear that unless the reader is well prepared, not only in Nietzscheism, but also in the habit of grappling with uncommon and elusive problems, a good deal of the contents of this work will tend rather to confuse than to enlighten him in regard to what Nietzsche actually wishes to make clear in these pages.
A collection of three of Nietzsche's writings concerning the music of Wagner. In particular, he relates Wagner's music as degenerate, unrefined and unintelligent and relates it to a gradually degenerating German culture and society. The translator provides a detailed introduction. - Summary by the Reader
This is one of Nietzsche's early academic writings - a scholarly theory about Ancient Greek theatre, specifically tragedies. In a nutshell, this work theorizes about why spectators enjoy watching actors in a long series of scenes that depict human suffering . It is a curious question, especially at the time since scholars generally thought of the Greeks as "A race of men, well-fashioned, beautiful, envied, life-inspiring, like no other race hitherto" . What did they need tragedy for? The question itself, and the path Nietzsche takes to answer this question, outraged the academic world. Later, an older Nietzsche criticizes this book himself and warns the reader that this text "should be treated with some consideration and reserve; yet I shall not altogether conceal how disagreeable it now appears to me, how after sixteen years it stands a total stranger before me."
These are lectures on the education system of Nietzsche's day. He states that "This book is intended for calm readers, for those who have not yet been drawn into the mad headlong rush of our hurry-scurrying age, and who do not experience any idolatrous delight in throwing themselves beneath its chariot-wheels. It is for those, therefore, who ... 'still have time.' Without any qualms of conscience they may improve the most fruitful and vigorous hours of their day in meditating on the future of our education." Nietzsche passionately calls for "Ye contemplative ones who cannot, with hasty glances, turn your eyes swiftly from one surface to another! Ye lofty thinkers, of whom Aristotle said that ye wander through life vacillating and inactive so long as no great honour or glorious Cause calleth you to deeds! It is you I summon! Refrain this once from seeking refuge in your lairs of solitude and dark misgivings. Bethink you that this book was framed to be your herald. When ye shall go forth to battle in your full panoply, who among you will not rejoice in looking back upon the herald who rallied you?"
Immerse yourself in the existential depths, embrace the wisdom of two philosophical giants who have influenced the way we perceive ourselves, our place in the world, and the meaning we assign to our lives.Whether you're a seeker of truth, a philosopher at heart, or simply looking to find strength in the face of life's uncertainties, this audiobook is your gateway to a deeper understanding of human existence.Søren Kierkegaard (1813-1855) was a pioneering Danish theologian and poet, widely considered to be the first existentialist philosopher. Friedrich Nietzsche (1844-1900) was a German philosopher whose work exerted a profound influence on modern intellectual history.
"The Birth of Tragedy" stands alongside Aristotle's "Poetics" as essential works for all who seek to understand poetry and its relationship to human life. In this, his first book, Nietzsche developed a way of thinking about the arts that unites the Greek gods Apollo and Dionysus as the central symbol of human existence. Although tragedy serves as the focus of this work, music, visual art, dance, and the other arts can also be viewed using Nietzsche's analysis and integration of the Apollonian and the Dionysian.
Lire Nietzsche, c'est apprendre à philosopher à coups de marteau. Dans les bibliothèques universitaires, ce sont les livres de Nietzsche qui sont les plus souvent volés. Pas étonnant : la rencontre avec Nietzsche fascine et apprend à penser, voire à se rebeller. Sa pensée est radicale, parfois violente, souvent ironique ; ses écrits sont à la frontière de la philosophie et de la poésie. Ses aphorismes en particulier véhiculent toute la force de sa pensée de façon directe, efficace, et souvent pleine d'humour. Ces 100 citations vous feront plonger dans l'abîme, des pensées lapidaires de Humain, trop humain, à Ainsi parlait Zarathoustra, Par-delà le bien et le mal, et d'autres oeuvres majeures et moins connues.
Become familiar with the most important modern philosophers, Friedrich Nietzsche, Emmanuel Kant, Soren Kierkegaard and Arthur Schopenhauer. These four figures have shaped the entirety of Western philosophy; delve deep into their works and thoughts with a selection of the essential quotes introducing their major ideas and delineating the structure of their work with clarity.
